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News - Kaija Saariaho in US | Upcoming Opera, Orchestral and Chamber Performances

Kaija Saariaho © Christophe Abramowitz
Tuesday, November 6, 2018
This introspective music theatre, this future of opera, overwhelms with beauty, stimulates the imagination, and entrances the mind. Don’t miss it.
– Bachtrack
 
 
 

On November 17-18, Only the Sound Remains, the latest opera by Kaija Saariaho, is presented by Lincoln Center's White Light Festival in its US premiere performances. At Dutch National Opera’s premiere in March 2016, critics described Only the Sound Remains as “archaic and modern” (Theaterkrant) and “sensual and evocative” (Financial Times).

Commissioned by Dutch National Opera, Finnish National Opera, Opera de Paris, Teatro Real Madrid, and Canadian Opera Company, Only the Sound Remains combines two short operas inspired by Nôh dramas: Always Strong and Feather Mantle, based on English translations by Ezra Pound and Ernest Fenollosa. Japanese Nôh theatre was born from the Buddhist idea that light is concealed largely in darkness (so as not to blind mere mortals), and Saariaho releases this concealed luminosity through her deeply radiant music.

In the first opera Always Strong, a talented young lute player ascends to the celestial court following a violent death. Unhappy and dejected, the erotic and heavenly musicianship he achieved on earth eludes him. The beauty of the lute’s music had come from the strength of his spirit, and as that strength wanes and disappears, only the sound remains…

In Feather Mantle, a fisherman discovers a cloak of feathers belonging to a female angel. He will only return the garment if the angel dances for him, but she explains that she needs the cloak to do so. When the fisherman mistrusts her and says she must dance first, she answers that there is no deceit in heaven. Ashamed, the fisherman returns the cloak and the angel performs dances, accompanied by heavenly music. Radiantly, she gradually ascends and disappears. Only the sound remains…

Directed by Peter Sellars, this opera takes the audience on a unique journey through luminosity and darkness, power and symbolism. 

Performances run November 17 & 18. Pre-performance discussion with Kaija Saariaho, Peter Sellars, and Ara Guzelimian on November 18 at 3:45pm in the Agnes Varis and Karl Leichtman Studio in Jazz at Lincoln Center.

CAST
Philippe Jaroussky, countertenor
Davóne Tines, bass-baritone
Ernest Martínez Izquierdo, conductor

Purchase tickets for Only the Sound Remains at Rose Theater, Jazz at Lincoln Center here.

 

On November 12 2018 in New York City, the Advent Lutheran Church series, Music Mondays, presents Sonic Temples: Music of Saariaho & Barrière with Jennifer Koh, Davóne Tines & Friends. This program features three works by Saariaho; NoaNoa (Camilla Hoitenga, flute), Tocar (Jennifer Koh, violin) and the premiere of a new version of Changing Light for baritone and bass flute (Davóne Tines, bass-baritone). 

Making his Boston Symphony Orchestra subscription series debut, on January 24 2019, conductor John Storgårds leads the Boston Symphony Orchestra in Saariaho's Ciel d'hiver, an arrangement of a movement from her earlier, cosmic Orion. Additional performances will take place January 25, 26 & 29. 

Also on January 24, in a collaboration between the Boston Symphony Orchestra and New England Conservatory, Kaija Saariaho is featured on What I Hear, a series of free hour-long events meant to introduce audiences to composers working with the Boston Symphony Orchestra. These composer-curated chamber music programs feature performances by NEC students and include conversations between the composers and the Boston Symphony Orchestra’s Assistant Artistic Administrator, Eric Valliere. Admission is free, but RSVP is suggested. 

Discover upcoming performances of music by Kaija Saariaho here.

For more information, please contact Marcos Cuevas, marcos.cuevas@schirmer.com.
 


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