Repertoire Search

Gerard Schwarz

In Memoriam (2005),
Publisher
JSGS Publishing
Category
Soloist(s) and Orchestra
Year Composed
2005
Duration
9 Minutes
Solo Instrument(s)
Cello
Orchestration
Programme Note
Gerard Schwarz In Memoriam (2005),

Related works:
   In Memoriam for cello and piano
   In Memoriam for cello and string quartet

First performance:
May 9, 2005
Julian Schwarz, cello
Music of Remembrance
Holocaust Remembrance Day concert
Benaroya Hall
Seattle, WA

Composer note:
In Memoriam is a work for solo cello and string orchestra (or string quartet), written in memory of a great musician and dear friend, David Tonkonogui (1958-2003). I was very thrilled when my son Julian was chosen to be the first recipient of Music of Remembrance's David Tonkonogui Memorial Award. David meant so much to all of us in our household and was such an inspirational teacher for Julian, fostering his passionate love of music. When Mina Miller, the artistic director of Music of Remembrance, and I were discussing what short work Julian would play as part of his prize for the MOR spring concert, I suggested that perhaps I could write something. I was very interested in the possibility because of my deep affection for David Tonkonogui and everything that he represented as an artist and as a person. Mina embraced the idea, so during the end of March and beginning of April, I wrote this work. In Memoriam is basically in three parts: the first section is funereal in spirit, reflecting on the tragedy of death for someone so young and so gifted — and so remarkable. There is a consistent sadness and poignancy in this opening section. The middle section begins with the string quartet and then the material is repeated and embellished in the cello. I wanted this to be positive in feeling, thinking of all the great accomplishments of this wonderful man, individually and as a father and husband. It has a somewhat otherworldly quality but hopefully the experience is uplifting; a tribute to the extraordinary meaning that David Tonkonogui's life meant to all that knew him. Finally, the coda brings back a little part of first section in a much shortened version, which is also much thinner texturally, to end on a single note — the lowest or purest note on the cello.

— Gerard Schwarz

  • Ensemble
    Music of Remembrance
    Soloist(s)
    Julian Schwarz, cello
    Conductor
    Mina Miller
    Naxos:
  • Ensemble
    Royal Liverpool Philharmonic
    Soloist(s)
    Jonathan Aasgaard, cello
    Conductor
    Gerard Schwarz
    Avie:
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