Repertoire Search

Nico Muhly

Publisher: Chester Music

Seeing is Believing (2007)
Commissioned by Aurora Orchestra
Work Notes
for Thomas Gould & Aurora Orchestra
Publisher
St. Rose Music Publishing
Category
Soloist(s) and Orchestra
Sub Category
Chamber Orchestra
Year Composed
2007
Duration
15 Minutes
Solo Instrument(s)
Six-string electric violin
Programme Note
Nico Muhly Seeing is Believing (2007)
Seeing is Believing references the exciting and superstitious practice of observing and mapping the sky; while writing it, I wanted to minic the process by which, through observation, a series of points becomes a line – this seemed like the most appropriate way to think about a soloist versus an orchestra. The electric violin is such a specifically evocative instrument and has always reminded me of the 1980’s, and I tried, at times, to reference the music attendant to 80’s educational videos about science, which always sounded vast and mechanical — and sometimes, quite romantic.

The music begins and ends with the violin creating its own stellar landscape through a looping pedal, out of which instruments begin to articulate an unchanging series of eleven chords which governs the harmonic language of the piece. Three minutes in, the woodwinds begin twittering in what seems to be random, insect-like formations. Eventually, the piano and solo violin “map” them into the celestially pure key of C-major; rapturous pulses ensue. A slightly more stylized and polite version of the insect music appears, and the violin sings long lines above it. After a brief return to the first music, slow, nervous music alternates with fast, nervous music. The fast music takes over, pitches are scattered around, the violin calls everybody back to order with forty repeated notes; rapturous pulses again ensue. The piece ends as it began, with looped educational music depicting the night sky.

Nico Muhly, 2007

Preview the score:

  • Ensemble
    Aurora Orchestra
    Soloist(s)
    Thomas Gould (electric violin)
    Conductor
    Nicholas Collon
Performances
Date
Title
  • 07 DEC 2014
    Lyon, France
    Orchestre de l'Opera de Lyon
    Stefano Montanari , conductor
  • 19 SEP 2014
    Yomiuri Otemachi Hall , JAPAN
    Jo Hisaishi, conductor
  • 24 JUL 2014
    Chicago, IL
    Alarm Will Sound
    Alan Pierson, conductor
  • 18 OCT 2013
    Rennes, France
    Orchestre de Bretagne

    Other Dates:
    19 October - Quimper. France
  • 17 AUG 2013
    Astor Theatre, Perth, Australia
    West Australian Symphony Orchestra
    Paul Daniel, conductor
  • 02 JUN 2013
    Eindhoven, The Netherlands
    Britten Sinfonia
    Colin Curie, percussion; Tromp Percussion Eindhoven
  • 23 MAY 2013
    St Andrew's Hall, Norwich
    Britten Sinfonia

    Other Dates:
    24 May - West Road Concert Hall, Cambridge
    30 May - Antwerp
    1 June - Brugge
    2 June - Eindhoven
  • 21 OCT 2012
    Chicago, IL
    Alarm Will Sound
  • 16 OCT 2012
    Green Umbrella
    Los Angeles, CA
    Los Angeles Philharmonic New Music Group
    Thomas Gould, violin; John Adams, conductor
  • 28 APR 2012
    Great Guild Hall Riga LATVIA
    Sinfonietta Riga
    Thomas Gould, conductor
  • 21 OCT 2011
    Seeing is Believing US Premiere
    Roulette Brooklyn, New York, U.S.A.
    Alarm Will Sound
  • 09 JUN 2011
    Queen Elizabeth Hall, London
    BBC Concert Orchestra
    Charles Hazelwood, conductor
  • 07 MAY 2011
    King's Place, London
    Aurora Orchestra
    Nicholas Collon, conductor
  • 05 MAY 2011
    King's Place, London
    Aurora Orchestra
    Nicholas Collon, conductor
  • 30 APR 2011
    RNCM Concert Hall, Manchester
    Manchester Camerata
    Thomas Gould; Nicholas Collon, conductor

Reviews
The score itches with minimalism, then basks in Coplandesque sunshine. But he wears what he takes lightly and distinctively. The opening was especially arresting, [Thomas] Gould using a looping pedal to stack up embellishments on a brief, lonely curlicue.
Erica Jeal, The Guardian,5/11/2011
The thing that created a special buzz of excitement was the UK premiere of Seeing is Believing. He's very hot property just now, and this concerto shows why he appeals to the zeitgeist. It has a wide-open feeling of much American music, a rich harmonic palette reminiscent of Berg, and a bright, sharp-edged sound-world. The unfolding narrative cleverly feints at things...without committing itself to any of them. All of this plus the solo instrument...conspires to create a strange 'virtual' music that...has the power to entrance.
Ivan Hewett, The Telegraph,5/9/2011
Close X

Newsletter Signup

Please fill in this form to receive regular news




Click here to receive regular news
© Copyright 2014 Music Sales Classical. Part of the Music Sales Group.