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Thea Musgrave

Publisher: Novello & Co

Points of View (2007),
Commissioned by the Manchester Camerata and the Scottish Chamber Orchestra
Publisher
Novello & Co Ltd
Category
Orchestra
Sub Category
Chamber Orchestra
Year Composed
2007
Duration
13 Minutes
Programme Note
Thea Musgrave Points of View (2007),
Points of View is a musical work about the different musical elements, which are personified by soloists from the orchestra, all unifying at the end in a passionate climax.

The first section, ‘Mysterious’, features a solo horn and also establishes tonality (B flat), texture and harmony. The harmonies are often chordal six-note clusters and they are an important binding, articulating and textural element throughout the work.

A solo trumpet joins the solo horn and, as the chordal clusters disappear into the stratosphere, initiates the rhythm of a light-hearted scherzo – ‘Lively’. The trumpet’s rhythmic figure is echoed and developed by the winds.

The solo oboe and cor anglais now introduce a very lyrical melody in falling thirds, ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figure eventually reappear to accompany this melodic theme and then the violins passionately respond by taking it over – ‘Passionato’ – all the elements thus unifying to culminate in the coda.

These musical elements could also perhaps be described in non-musical terms as ‘imagination’ (solo horn), ‘action’ (solo trumpet), ‘emotion’ (solo oboe and cor anglais) which eventually combine in the climax (violins).

© Thea Musgrave




Performances
Date
Title
  • 12 DEC 2008
    City Halls, Glasgow
    Scottish Chamber Orchestra
    Nicholas Kraemer, conductor

    Other Dates:
    13 December - Queen's Hall, Edinburgh
  • 23 FEB 2008
    Points of View World Premiere
    Royal Northern College of Music, Manchester
    Manchester Camerata
    Nicholas Kraemer, conductor

Reviews
Cast almost as a concerto for orchestra, this performance balanced the brazen virtuosity of the writing with Musgrave's seamlessly woven textures.
Kenneth Walton, The Scotsman,12/15/2008
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