Publisher: G. Schirmer
Soliloquy (for clarinet and string quartet) (1995)
Works for 2-6 Players
was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think of that orchestra without him sitting in the first chair. So the idea of an extended dialogue for clarinet and violin seemed not only natural but inevitable. The Soliloquy begins with a long, unaccompanied line for the violin. The other stings enter, and a mood of sustained lyricism introduces the clarinet. The prevailing feeling is that of desolation. I deliberately avoided an emotional climax in the Soliloquy, feeling that sustaining the same mood throughout the music would achieve a heightened intensity. Structurally, this movement alternates two melodic ideas. The first is introduced by the violin (in B), while the second (in B-flat) is represented by the clarinet. A three-note motto (C-sharp, B, B-flat) grows from the alternation of the two tonalities and provides a third major element. The movement ends as it began, with the same long violin line, this time joined by the clarinet.
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Chamber Music Society of Lincoln Center
David Shifrin, clarinet; Ida Kavafian and Carmit Zori, violins; Paul Neubauer, viola; Fred Sherry, cello
Stanley Drucker, clarinet; Lisa Kim and Kerry McDermott, violins; Gerald Appleman, cello; Rebecca Young, viola