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Malcolm Arnold

Publisher: Novello & Co

Piano Trio (1956),
Publisher
Paterson Publications
Category
Works for 2-6 Players
Sub Category
Piano Trio
Year Composed
1956
Duration
13 Minutes
Orchestration
Availability


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Programme Note
Malcolm Arnold Piano Trio (1956),
The main themes of the first movement of the Piano Trio (first performed by the St Cecilian Trio in 1956) are grave and songlike: but first violin and cello demand attention with a rhetorical unison, piano appending three distinct comments which are to play important roles later in the movement. In the central movement, violin follows cello in a two-part canon, piano responding with a consoling sequential phrase, and the process repeats in inversion. The emotional temperature rises in a more richly scored middle section, falls again as the canon is resumed. The seven-bar opening unison of the last movement establishes the harmonic basis for the eleven variations which follow. 3, 4 and 5 form a triple variation in which piano, violin and cello in turn carry forward the semiquaver movement; 7 and 8, a double canonic variation. A brief but weighty coda brings the Trio to an end conclusively and without unnecessary ceremony.

  • Soloist(s)
    Christopher van Kempen and Moray Welsh, cellos / Marcia Crayford, violin / Ian Brown, piano
    Hyperion:
  • Soloist(s)
    Jane Faulkner, violin / Timothy Ravesncroft, piano / Justin Pearson
    Naxos:
  • Ensemble
    St. Clair Trio
    Soloist(s)
    Emmanuelle Boisvert, violin / Pauline Martin, piano
    Koch:
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