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Kaija Saariaho

Publisher: Chester Music

Nymphéa (1987)
commissioned by the Lincoln Center and Doris & Myron Beigler for the Kronos Quartet
Publisher
Edition Wilhelm Hansen, Helsinki
Category
Works for 2-6 Players
Year Composed
1987
Duration
18 Minutes
Availability


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Programme Note
Kaija Saariaho Nymphéa (1987)
In Nymphéa (Water lily, 1987) for string quartet and electronics, my aim was to broaden the colours of string instruments and create music by contrasting limpid, delicate textures and violent, shattering masses of sound.
The basis of the harmonic structure is provided by cello sounds that I analysed with the computer, through the use of some personal computer programs. The musical material is going through rhythmic and melodic transformations as the motifs are gradually converted from a trill into arpeggios, or unisono rhythms into multilayered micropolyphony. The electronic component of the piece consists of live transformations of the string quartet's sounds in the concert.

Some images that evolved in my mind while composing: the symmetric structure of a water lily, yielding as it floats on the water, transforming. Different interpretations of the same image in different dimensions; a one-dimensional surface with its colours, shapes, and, on the other hand, different materials that can be sensed, forms, dimensions, a white water lily feeding from the underwater mud.

A poem by Arseny Tarkovsky - the cineast Andrei Tarkovsky's father - also became a part of the sonic material during the compostion. It appears gradually, first in separate phonems whispered by players, adding thus a vocal color to the palette of string sounds:

Now Summer is gone
And might never have been.
In the sunshine it's warm,
But there has to be more.

It all came to pass,
All fell into my hands
Like a five-petalled leaf,
But there has to be more.

Nothing evil was lost,
Nothing good was in vain,
All ablaze with clear light
But there has to be more.

Life gathered me up
Safe under it's wing,
My luck always held,
But there has to be more.

Not a leaf was burned up
Not a twig ever snapped
Clean as glass is the day
But there has to be more.

(Translated by Kitty Hunter-Blair)
Kaija Saariaho

  • Ensemble
    Arditti String Quartet
    Soloist(s)
    Kari Kriikku, clarinet
    Montaigne:
  • Ensemble
    Los Angeles Philharmonic Orchestra / Kronos Quartet
    Soloist(s)
    Petri Alanko, flute / Anssi Karttunen, cello
    Conductor
    Esa-Pekka Salonen
    Ondine:
  • Ensemble
    Ensemble Gelber Klang
  • Ensemble
    Cikada Quartet
  • Ensemble
    Meta4 String Quartet
    Soloist(s)
    Anna Laasko (piano), Marko Myohanen (electronics)
    Ondine :
  • Ensemble
    Meta4
    Soloist(s)
    Anna Laakso, Marko Myohanen
    Ondine:
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