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Stuart MacRae
Born: 1976
Ghost Patrol (2012)
Ghost Patrol was co-commissioned by Scottish Opera and Music Theatre Wales. It was first performed on 30 August 2012 at the Traverse Theatre, Edinburgh, conducted by Michael Rafferty and directed by Matthew Richardson.
Publisher
Novello & Co Ltd
Category
Opera and Music Theatre
Sub Category
Opera
Year Composed
2012
Duration
58 Minutes
Soloist
Baritone, Soprano, Tenor, small recorded chorus
Orchestration
1(pic)1(ca)1(bcl)1(cbn)/0110/perc/hp/str(2.0121)
Availability
Unavailable
Explain this...
Programme Note
Stuart MacRae
Ghost Patrol (2012)
Synopsis:
Music by Stuart MacRae
Libretto by Louise Welsh
Britain is at war in a distant land. There are no bombs or armed combat in our streets, but images of the conflict and its victims dominate TV news reports, men in uniform are an everyday sight and a general air of militarism has infected the nation.
Ex-army comrades Sam and Alasdair are unexpectedly reunited after three years separation. Their meeting reignites a bond forged from danger, privation and a shared secret, which if revealed, could expose both of them to disgrace and prosecution. The need to keep their secret pulls the men together, but their differing responses to the shame of it threatens to pull them apart. Jealousy over Vicki, Alasdair’s girlfriend with whom Sam shares a mutual attraction, also jeopardizes the men’s equanimity.
Sam is flesh and blood, but he’s also a ghost from the past who upsets the balance of Alasdair and Vicki’s lives. The consequences are deadly.
MacRae’s impassioned and atmospheric score brings to life these fractured and all too real people as they try - and fail - to escape the past.
Dramatis Personae:
Sam (tenor) An ex-army sergeant in his thirties, who has fallen on hard times
Alasdair (baritone) An ex-army captain in his thirties; proprietor of the pub where the action takes place; Vicki’s boyfriend
Vicki (soprano) An aspiring singer in her late twenties or early thirties; Alasdair’s girlfriend
Performances
Date
Title
27 SEP 2012
Ghost Patrol
Linbury Studio Theatre, Royal Opera House, London
Music Theatre Wales Ensemble
Michael Rafferty, conductor
Other Dates:
28,29 September - Linbury Studio Theatre, Royal Opera House, London
30 September - Oxford Playhouse
2 October - Cambridge Mumford Theatre
9 October - Anvil, Basingstoke
30 October - Aberystwyth Arts Centre, Wales
2 November - Cardiff Sherman, Wales
7 November - RNCM, Manchester
11 November - Clwyd Theatr Cymru, Mold, Wales
01 SEP 2012
Ghost Patrol
Edinburgh International Festival 2012
Traverse Theatre Edinburgh
Scottish Opera
Michael Rafferty, conductor
Other Dates:
2 September - Traverse Theatre Edinburgh
6,7 September - Theatre Royal, Glasgow
30 AUG 2012
Ghost Patrol
World Premiere
Edinburgh International Festival
Traverse Theatre, Edinburgh
Scottish Opera
Michael Rafferty, conductor
Reviews
Stuart MacRae's three-hander about the scars of war, to a libretto by Louise Welsh, does everything modern opera is supposed to do: it asks questions, stirs the imagination, challenges complacency, grabs the heart. Oh, and it renews the art form, too. You come out feeling different - about love, life and death. And yet, despite such complexity of thought and feeling, MacRae and Welsh make opera seem simple: they get the essentials right.
In Ghost Patrol, MacRae uses the same palette [as Huw Watkins' 'In the Locked Room'] and an equally sparse and punchy libretto, but opts for close-knit musical argument and a constantly simmering orchestral style, using electronics, pre-recorded chorus and inventive aural effects: violins in eerie, double-stopped harmonics, the double bass creating percussive menace by bouncing the wood of his bow. You can hear Birtwistle's influence in the high woodwind laments, but more as homage than imitation.
MacRae's opera, with no-holds-barred libretto by Louise Welsh, is immediately exciting, making exacting and effective use of rhythm to portray the ugliness and trauma of war.
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