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Edward Gregson

Publisher: Novello & Co

Symphony in two movements (2011)
This work was jointly commissioned by the National Youth Brass Band of Great Britain and the National Youth Brass Band of Wales (with funding from Ty Cerdd – Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively.
Work Notes
This work was jointly commissioned by the National Youth Brass Band of Great Britain and the National Youth Brass Band of Wales (with funding from T Cerdd - Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively.
Publisher
Novello & Co Ltd
Category
Works for Band/Wind/Brass Ensemble
Sub Category
Brass Band
Year Composed
2011
Duration
17 Minutes
Availability
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Programme Note
Edward Gregson Symphony in two movements (2011)
Composer’s Note

Symphony in two movements was written in 2012 to a commission from the National Youth Brass Bands of Great Britain and Wales, to celebrate their 60th and 30th anniversaries respectively. The premieres took place in the Spring and Summer of 2012 at Cadogan Hall, London, and Llandaff Cathedral, Cardiff, with conductors Bramwell Tovey and Nicholas Childs.

Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.

The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925
The opening Toccata of my Symphony is highly dramatic but compact, whilst still retaining the ‘traditional’ structural elements of exposition, development and recapitulation; indeed, it also has the ‘traditional’ element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.

In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of ‘romances’ for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the ‘home’ tonality of F, and thus creating a truly symphonic dimension to the music.

Most of the melodic material of the symphony is derived from the opening eleven-note ‘row’, which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a ‘classical’ approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.

The Symphony has been recorded by the Black Dyke Band under Nicholas Childs on the Doyen label (The Music of Edward Gregson Vol. 5 – DOY 319).
© Edward Gregson 2013

  • Ensemble
    Black Dyke Band
    Soloist(s)
    Brett Baker (trombone)
    Conductor
    Nicholas and Robert Childs
    Doyen:
Performances
Date
Title
Reviews
From the evidence of the first performances we heard in Weston and London, and the prolonged and enthusiastic responses from the audiences, Symphony in two movements is going to be a major and popular addition to the repertoire. [...] An impressive piece performed with total conviction.
Paul Hindmarsh, British Bandsman Magazine,12/04/2012
The opening ‘Toccata’ is thunderous, spiky and energetic (with the occasional echoes of Rawsthorne and Walton) and then a lyrical ‘second subject’ offers respite before tension and drive recall ‘Mambo’ from West Side Story. The longer second movement, ‘Variations’, begins with gleaming, sustained lines to which a scurrying response excites and leads to a gong-capped climax. Further, bluesy, explorations boil to a cloud-clearing fortissimo and a pulsating conclusion. This is a richly rewarding piece, music that is engaging and satisfying, and which challenges the young musicians, here gratefully taken. Indeed, in the course of this long evening every gauntlet thrown at the players was met in winning style either in terms of ensemble or solo contributions.
Colin Anderson, Classical Source,08/04/2012
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