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Aulis Sallinen

Publisher: Novello & Co

Chamber Music VIII, Op 94, 'The Trees, All Their Green' (2009)
Commissioned by the Amsterdam Sinfonietta, the Württembergisches Kammerorchester, the Scottish Ensemble and the Sydney Conservatorium of Music and given its premiere on 6th March 2010 by Pieter Wispelwey, cello and the Amsterdam Sinfonietta at Muziekgebouw aan't IJ, Amsterdam
Publisher
Novello & Co Ltd
Category
Soloist(s) and Orchestra
Sub Category
String Orchestra
Year Composed
2009
Duration
16 Minutes
Solo Instrument(s)
cello
Orchestration
Programme Note
Aulis Sallinen Chamber Music VIII, Op 94, 'The Trees, All Their Green' (2009)
Chamber Music VIII ("The Trees, All Their Green") Op 94

for cello and string orchestra


The piece belongs to a series of compositions called Chamber Music, the first dating from the year 1976. They all are written, with the exception of No I, for a soloist and a small string orchestra. Chamber Music VI is meant for a solo string quartet (plus strings) and number VII for a solo wind quintet and strings.

Chamber Music VIII is written for cello and strings, as is the case in the widely played Chamber Music III, "The Nocturnal Dances of Don Juanquijote". Entitled "The Trees, All Their Green" ("Puut, kaikki heidän vihreytensä"), the composition is dedicated to the memory of Paavo Haavikko (1931-2008) and the subtitle is derived from one of his poems. Haavikko was one of the Finland’s leading poets and a close collaborator of the composer: he wrote among others the libretto for two of his operas (“The Horseman” and “The King goes forth to France”). Haavikko shared with the composer the high respect for nature and its meaningful organisms and one should note that the word "heidän" (their) is used in the Finnish language usually to refer to humans (this possibility of expression is lacking in many other languages).

The one-movement composition was written in 2008-2009 and commissioned by The Amsterdam Sinfonietta, Württembergisches Kammerorchester Heilbron, the Scottish Ensemble and the Sydney Conservatorium of Music.



Performances
Date
Title
Reviews
...a beautifully crafted piece with no pretentions other than to spin its quiet lyricism against orthodox 20th century harmonies...
Kenneth Walton, The Scotsman,10/15/2010
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