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Gabriela Lena Frank

Publisher: G. Schirmer

Tres Homenajes: Compadrazgo (2007)
G Schirmer Inc
Works for 2-6 Players
Sub Category
Mixed Ensemble
Year Composed
18 Minutes
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Programme Note
Gabriela Lena Frank Tres Homenajes: Compadrazgo (2007)
Composer note:

The word compadrazgo refers to a quintessentially Latin American idea. It signifies a special kind of camaraderie such as the bond between godparent and godchild or the friendliness between neighbors who might borrow sugar from one another. I find that this spirit is also essential to chamber music in all styles and genres as players depend on one another to bring their performance to life. In honor of compadrazgo, I've composed three tributes (tres homenajes) that are all inspired by Latin American idioms, yet explore different ways in which the players relate to one another. They are:

I. Scherzo para Sipan: This fleet movement is in homage to the windy northern plains of Peru made famous by the discovery of an ancient Moche royal tomb for El Senor de Sipan (Lord of Sipan).

II. Adagio para Amantani: The extended slow movement is in homage to the island of Amantani that I visited in the summer of 2006. Situated in the middle of Lake Titicaca between Peru and Bolivia, the island is both beautiful and barren, and its inhabitants absolutely depend on their relationships of compadrazgo in order to survive the cold and arid climate.

III. T'inku: This aggressive and dissonany finale is inspired by the oddly violent form of compadrazgo where people from two different communities ritualistically engage in a fight. Stemming from pre-Colombian beliefs where young men fought to the death, sacrificing themselves so that their villages would receive a good harvest or a season free from illness, the combative spirit of the 't'inku' actually results in people coming together for a common good. Throughout all three movements, melodic and rhythmic motifs from Peru and Bolivia abound.

— Gabriela Lena Frank

Sample Pages

  • Ensemble
    Ensemble Meme
    Albany Records:
The work in question, three tributes to the Latin American spirit of brotherly love, inspired by ethnic Peruvian music, is a masterpiece. While it stems from the ethnomusicology of the composer, the folk motifs and rhythms are the starting point for inspired music in a distinctive and universal classical style. It is what Astor Piazzolla did for the Argentine tango, but carried to an even higher level and capable of being appreciated across cultural divides.
Christopher Hyde, Maine Classical Beat,15/07/2016
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