Repertoire Search

Hans Abrahamsen

Publisher: Edition Wilhelm Hansen

Schnee (2008)
Wilhelm Hansen
Large Ensemble (7 or more players)
Year Composed
57 Minutes

Buy this work
Worldwide Sales   North American Sales
Full Score   

Programme Note
Hans Abrahamsen Schnee (2008)
10 Canons for 9 instruments:

. . . . .

Canon 1a. Ruhig aber beweglich (three strings and piano)
Canon 1b. Fast immer zart und stille (tutti)
Canon 2a. Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholish (three woodwinds and piano)

Intermezzo 1. (three strings, three woodwinds)

Canon 2b. Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholish (tutti)
Canon 3a. Sehr langsam, schleppend und mit Trübsinn (im Tempo des "Tai Chi") (three strings, three woodwinds)
Canon 3b. Sehr langsam, schleppend und mit Trübsinn (im Tempo des "Tai Chi") (two pianos and percussion)

Intermezzo 2. (three strings)

Canon 4a (minore) (Hommage à WAM). Stürmich, unruhig und nervös (tutti)
Canon 4b (maggiore). Sehr stürmich, unruhig und nervös (tutti)

Intermezzo 3. (cello, piccolo, clarinetto)

Canon 5a (rectus). Einfach und kindlich (violin, viola, two pianos, piccolo, clarinetto)
Canon 5b (inversus). Einfach und kindlich (violin, viola, two pianos, piccolo, clarinetto)

. . . . .

In the beginning of the 90s, I arranged some of J.S. Bach’s canons for ensemble – in total seven single standing works from his entire life span. I became totally absorbed into this music and arranged them with the intention of the music being repeated many, many times, as a kind of minimal music. Obviously, I didn’t know which durations Bach had in mind, but by listening to his canons in this way, a profound new moving world of circular time was opened to me.

Depending on the perspective on these canons, the music and its time can stand still or move either backwards or forwards.

In my own work, an ongoing idea has persisted, of at somepoint writing a work consisting of a number of canonical movements that would explore this universe of time. And when I was offered the commission for Ensemble Recherche and Wittener Tage, it felt as the right time to do this.

In Schnee, a few simple and fundamental musical questions are explored. What is a Vorsatz? And what is a Nachsatz? Can a phrase be answering? Or questioning?

The guideline or rule for the canons is very simple: We start out with an answering Vorsatz, followed by a questioning Nachsatz. Throughout the time of the piece, these two are intertwined more and more, as more and more dicht geführt canons, until, at the end, they are interchanged. Now the question and then the answer. The two canons are identical like a painting in two versions, but with different colors. And where the first one does not include the space, the second one does, as well as containing more canonical traces.

The nine instruments are divided into two groups: the first one situated to the left consists of piano 1, violin, viola and cello, and the second group on the right of piano 2 (pianino), flute, oboe and clarinet. In the middle is the percussion.

- Hans Abrahamsen

Score preview

  • Ensemble
    Ensemble Recherche
  • Large Ensemble (7 or more players):
  • 02 FEB 2018
    Peter Jay Sharp Theater, New York, NY
    Jeff Milarsky, conductor
  • 21 OCT 2017
    Taube Theatre, San Francisco, USA
    San Francisco Contemporary Music Players
  • 23 FEB 2017
    Peter Jay Sharp Theater, New York, NY
    Jeff Milarsky, conductor
  • 06 DEC 2016
    St John's Smith Square, London
    London Sinfonietta
    Michael Cox, piccolo; Geoffrey Paterson, conductor
  • 29 NOV 2016
    Los Angeles, CA
    Mark Hilt, conductor
  • 22 NOV 2016
    Duke's Hall, Royal Academy of Music, London
    Students of the Royal Academy of Music
    William Cole, conductor
  • 15 NOV 2016
    Contempuls 8
    Prague, Czech Republic
    Ensemble Recherche
  • 29 OCT 2016
    Faust II – Erlösung! - Choreography by Xin Peng Wang
    Dortmund, Germany
    Dortmunder Philharmoniker
    Philipp Armbruster, conductor

    Other Dates:
    5,13,19,25 November; 2,14 April 2017; 6,20 May 2017; 2,8 June 2017; 2 July 2017 - Dortmund, Germany
  • 01 OCT 2016
    Green Umbrella Series: Noon to Midnight
    Walt Disney Concert Hall, Los Angeles, CA
  • 25 JUL 2016
    Yellow Barn Music Festival
    Putney, VT
  • 10 JUN 2016
    Buffalo, NY
    Ensemble Signal
    Brad Lubman, conductor
  • 24 MAR 2016
    Composer Portrait
    Miller Theatre, New York, NY
    Ensemble Signal
    Brad Lubman, conductor
  • 19 SEP 2015
    Filharmonia Narodowa Warszawa, Warsaw, Poland
    Talea Ensemble
    James Baker, conductor
  • 18 SEP 2015
    Schnee Country Premiere
    Warsaw Autumn 2015
    Warsaw Philharmonic, Chamber Hall, Poland
    Talea Ensemble
    James Baker, conductor
  • 14 FEB 2015
    Cable Factory, Helsinki, Finland
    Avanti! Chamber Orchestra
    Ilan Volkov, conductor
  • 30 NOV 2014
    Victoria, BC, Canada
    Aventa Ensemble
  • 15 NOV 2014
    Tonhalle Zürich, Switzerland
    Ensemble Recherche
  • 30 MAY 2014
    Charleston, SC
    Spoleto Festival USA
    John Kennedy, conductor
  • 30 MAY 2014
    Charleston, SC
    Spoleto Festival USA
    John Kennedy, conductor
  • 09 MAR 2014
    Chicago Cultural Center, Chicago, USA
    ensemble Dal Niente
  • 08 MAR 2014
    National Concert Hall, Dublin, Ireland
    Crash Ensemble
  • 19 DEC 2013
    Hotel Avenue, Copehagen, Denmark
    Alpha Trio
  • 05 DEC 2013
    Dijon Opera, Dijon, France
    Ensemble Recherche
  • 16 JUN 2013
    Brooklyn, NY
    Bang on a Can Festival
    Alex Lipowski, conductor
  • 05 OCT 2012
    Festival d'Automne de Paris
    Opera de Bastille, Amphithéâtre, Paris
    Ensemble Recherche
  • 21 JUL 2012
    Brooklyn, NY
    Bang on a Can Festival
    Brad Lubman, conductor
  • 14 JUN 2012
    RNCM Manchester
    RNCM Ensemble
  • 16 FEB 2012
    Schnee Country Premiere
    Nielsen/Abrahamsen: Symfoni Nr. 6 Country Premiere
    Nielsen/Abrahamsen: Symphony No. 6 Country Premiere
    Muziekgebouw, Amsterdam
    ASKO | SCHÖNBERG Ensemble
    Reinbert de Leeuw, conductor
  • 02 DEC 2011
    Schnee Country Premiere
    Antwerp, Belgium
    Hermes Ensemble
  • 20 OCT 2011
    Bodø Kulturhus, Norway
    Bodø Sinfonietta
    Morten S Wensberg, conductor

In manipulating the listener's sense of proximity to the sound, Abrahamsen creates a spacial interplay that is far more powerful live than on a recording
Drew Baker,,08/01/2013
Schnee explores the idea that our perception of nearly identical patterns causes the imagination to project new forms by itself... The listener's awareness fluctuates between following all the intricate processes and letting them go - and slipping into a pleasurable trance.
Guy Dammann, The Guardian,25/11/2010
Schnee is intense, simple and captivating
Jakob Weigand Goetz, Seismograf,26/07/2010
Hans Abrahamsen’s Schnee is a wonder. How to say how? It is a sequence of aural images of snow, in some cases onomatopoeic (the swish of brushing off a wooden deck, the soft ease-crunch of steps through a fresh snowfall) but more often poetic
Paul Griffiths, ,22/07/2010
Close X

Newsletter Signup

Please fill in this form to receive regular news

Click here to receive regular news
© Copyright 2014 Music Sales Classical. Part of the Music Sales Group.