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Nico Muhly

Publisher: Chester Music

By All Means (2004),
Work Notes
Tremolos marked twitchy should be realized as an improvised morse code-like tremolo between the indicated pitches. The effect should be energetic but never consistent. Try to avoid synchronizing with other players. Piano pedaling is left up to the discretion of the performer unless otherwise indicated.
Publisher
St. Rose Music Publishing
Category
Large Ensemble (7 or more players)
Sub Category
Sinfonietta
Year Composed
2004
Duration
9 Minutes
Programme Note
Nico Muhly By All Means (2004),
By All Means stems from a similar interest in the Anglican choral tradition, but with a slightly different set of rules. The commission was from the Juilliard School and the Royal Academy of Music, and it had to do with reacting to (and writing for roughly the same forces as) Webern’s Concerto for nine instruments, op. 24. My own response to this guideline was to focus on the opening three pitches of the row Webern uses, which, to me, produce a very diatonic outline of a B flat major chord. One of the most delicious psychological reactions I have had to most serial music is that my brain tries to turn twelve-tone music into post-Wagnerian tonal harmonies: thick, rich chords brimming with meaning and profound significance. I suffer from this disorder even when presented with the thorniest Wuorinen or the most inscrutable Babbitt. Listening to the row from op. 24, I was immediately reminded of the cross-relations in Weelkes motets, where a G major chord and a G minor chord can appear in the same bar a split second apart. By All Means is a large arch of several textures in which both Weelkes and Webern can coexist and collaborate: the scattered points of Webern’s orchestration organised together by a Tudor resolution, or the shimmering counterpoint of Weelkes sent astray by sudden chromatic variation.


Preview the score



  • Ensemble
    Aurora Orchestra
    Soloist(s)
    Thomas Gould (electric violin)
    Conductor
    Nicholas Collon
Performances
Date
Title
  • 20 OCT 2017
    Northwestern University, Galvin Recital Hall, Evanston, IL
    Contemporary Music Ensemble and Bienen Contemporary/Early Vocal Ensemble
    Ben Bolter, conductor
  • 12 APR 2015
    Piscataway, NJ
    Rutgers Helix Ensemble
    Kynan Johns, conductor
  • 27 FEB 2014
    Victoria Rooms, University of Bristol
    Bristol University Symphony Orchestra
  • 11 DEC 2013
    University of Bristol
    University of Bristol
  • 09 OCT 2012
    The Digitorium, Highland Heights, KY
    Constella Festival Players
  • 03 MAR 2012
    Pittsburgh, PA
    Carnegie Mellon University
    Ronald Zollman, conductor
  • 08 APR 2011
    East Lansing, MI
    Michigan State University
    Raphael Jimenez, conductor
  • 06 APR 2011
    Liverpool Hope Cornerstone, Liverpool
    Royal Liverpool Philharmonic Orchestra
  • 22 MAY 2010
    Portland, OR
    Portland State University
    Ken Selden, conductor
  • 24 JAN 2010
    The Roundhouse, London
    Britten Sinfonia
  • 23 JAN 2010
    Los Angeles, CA
    L.A. Chamber Orchestra
    Jeffrey Kahane, conductor

    Other Dates:
    24 January - Los Angeles, CA
  • 20 JUN 2009
    Við Djúpið Music Festival
    Ísafjörður ICELAND
    Isafold Chamber Orchestra
    Daniel Bjarnason , conductor
  • Nico Muhly at NEC
    New England Conservatory

Reviews
Muhly's witty deconstruction of serialism “By All Means” - again a piece that grooves joyfully, as evinced by Collon's tush-shaking conducting style at key moments. This piece reached peaks of fierceness, rising like a light-hearted discussion straying into difficult territory, then arguing itself to a satisfactory conclusion.
Joe Muggs, theartsdesk.com,25/01/2010
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