Located in the UK
Located in the USA
Located in Europe
- Richard Danielpour
Elegies (1997)
- Associated Music Publishers Inc (World)
- 3(pic).2(ca).3(bcl).2(cbn)/4331/timp.4perc/hp(cel).pf/str
- Mezzo soprano, Baritone
- 33 min
- Kim Vaeth
Programme Note
Composer's note:
The first movement, Vigil, represents a daughter’s anticipation, hopeful of an epiphany with her father’s spirit, singing “Cradled in your deepest name…”
The second movement, Lacrimosa, begins with the father’s tearful plaint on the horrors and carnage of war. He sings “Lost Hallowed city, infinite billows of war blossoms…” At this point, the music is at its most graphic and powerful, with dreadful martial overtones, marked with the presentiments of death, similar to the cryptic boot-steps that open Mahler’s sixth symphony. Then, the father sings “Where is my beloved?” His daughter replies, as a mystic echo from life, “Come back - Come back, vessel of helixed light, fragrant dusk of my father.”
In the third movement, Benediction, the father’s spirit imagines his unborn daughter, yet in the womb, and offers a soulful incantation for the course of her life, chanting, “Little soul, where will you go from the dark of the womb? Where will your lucent word lead you?”
The fourth movement, Litany, begins with the daughter invocation “Arise, beloved!” – to prepare the meeting of their souls, which unite momentarily. Then father and daughter sing together in progressive strophes – “What do we in this dark know?” – finally made peaceful by a symbolic “Amen” in the music alone.
In the fifth movement, Paradisum, she embraces the spiritual serenity granted by her father, beginning with “Peace, ride the air I breathe.” The concluding line is “And I will sing to you in paradise.” Here, in the music –as in previous episodes - is a combined metaphor: the use of the octatonic scale and associated harmonies represent the dark intrigues of death, played against pentatonic intonations that represent life, open and free to the “helixed light.”
--Richard Danielpour
The first movement, Vigil, represents a daughter’s anticipation, hopeful of an epiphany with her father’s spirit, singing “Cradled in your deepest name…”
The second movement, Lacrimosa, begins with the father’s tearful plaint on the horrors and carnage of war. He sings “Lost Hallowed city, infinite billows of war blossoms…” At this point, the music is at its most graphic and powerful, with dreadful martial overtones, marked with the presentiments of death, similar to the cryptic boot-steps that open Mahler’s sixth symphony. Then, the father sings “Where is my beloved?” His daughter replies, as a mystic echo from life, “Come back - Come back, vessel of helixed light, fragrant dusk of my father.”
In the third movement, Benediction, the father’s spirit imagines his unborn daughter, yet in the womb, and offers a soulful incantation for the course of her life, chanting, “Little soul, where will you go from the dark of the womb? Where will your lucent word lead you?”
The fourth movement, Litany, begins with the daughter invocation “Arise, beloved!” – to prepare the meeting of their souls, which unite momentarily. Then father and daughter sing together in progressive strophes – “What do we in this dark know?” – finally made peaceful by a symbolic “Amen” in the music alone.
In the fifth movement, Paradisum, she embraces the spiritual serenity granted by her father, beginning with “Peace, ride the air I breathe.” The concluding line is “And I will sing to you in paradise.” Here, in the music –as in previous episodes - is a combined metaphor: the use of the octatonic scale and associated harmonies represent the dark intrigues of death, played against pentatonic intonations that represent life, open and free to the “helixed light.”
--Richard Danielpour