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Robert Xavier Rodríguez
Born: 1946
Tango di Tango (1985)
Listen
Publisher
Alhambra RXR
Category
Works for 2-6 Players
Sub Category
Piano Trio
Year Composed
1985
Duration
8 Minutes
Orchestration
vn, acn, pf
Availability
Sale from Rental Library
Explain this...
Programme Note
Robert Xavier Rodríguez
Tango di Tango (1985)
Related works:
Tango di Tango
for orchestra
Tango di Tango
for piano
Tango di Tango
(1991) was commissioned and premiered by The San Antonio Symphony Orchestra, Christopher Wilkins, Music Director. Inspired by Ravel’s celebrated Bolero,
Tango di Tango
is a driving and hypnotic set of orchestral variations on a simple tango melody. Rodriguez has drawn the seven-note tango theme from his 1985 comic opera, Tango – hence the title, literally, “tango from
Tango
.”
Rodriguez’ opera,
Tango
, is based on actual news clippings, letters and an official papal denunciation of the
infamous dance…of irrepressible languor and high-breathing passion
during the tango craze that swept America and Europe in 1913-14.
Tango di Tango
was originally scored for a typical cabaret trio of violin, accordion and piano. This new version for large orchestra calls for winds in threes, divided strings and violin solo plus a wide variety of percussion sounds, among them: piano, harp, four timpani, marimba, bowed vibraphone, maracas, tambourine, triangle, bell tree and several sizes of cymbals, gongs and unpitched drums. Also employed are the evocative sounds of a lion’s roar, a musical saw, a bundle of wooden switches, a whip, a hotel “front” bell, chimes, and the jawbone of an ass. The dramatic shape of the work is simple, in the manner of a Baroque
chaconne
, with twenty-eight bar variations rising in pitch one whole-step at a time over syncopated ostinato until, like Ravel’s model, it reaches a climax of blazing orchestral splendor, then rumbles to a close.
Performances
Date
Title
29 JAN 2010
Semi-Suite
Tango di Tango
Dallas, TX
University of Texas at Dallas
Reviews
In Rodríguez's "Tango di Tango," based on a theme from his comic opera "Tango," one imagines the composer gleefully setting out to compose the most macabre, terrifying dance of death possible. It's a passacaglia, a single tune repeated many times with changes in harmony, coloration and ornament. The piece builds steadily to a peak of growling, shaking, thundering, nightmarish horror before collapsing into a whimper.
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Orchestral
Opera
Choral
Chamber
Media
Dance