Repertoire Search

Morton Gould

Publisher: G. Schirmer

Stringmusic (1993),
Publisher
G Schirmer Inc
Category
Orchestra
Sub Category
String Orchestra
Year Composed
1993
Duration
30 Minutes
Orchestration


Buy this work
Worldwide Sales   North American Sales
 
Score Score

Programme Note
Morton Gould Stringmusic (1993),


Composer's Note:
Stringmusic is a large-scale suite, or serenade, for string orchestra, comprising five movements. There is much antiphonal writing -- sometimes suggesting two separate string orchestras, using such devices as col legno (tapping the strings with the wood part of the bow) and playing without vibrato. Basically, Stringmusic is a lyrical work, reflecting, in a way, a man and musician we have all come to know for the intensity and emotion of his commitment to music and life, Mstislav Rostropovich, known as "Slava" to his friends and for whom this piece was written.

The "Prelude" opens with a declamatory, rhapsodic statement in the cellos, echoed by muted violas; the effect is like a responsory service. Following this is a very brisk, jazz-like episode built around a playful figure, basically a rhythmic pattern with a quiet sort of propulsion. It becomes louder, with fast-moving passages building in intensity and rhythmic pulse, and then fades away rather mysteriously.

The second movement is a "Tango." When Slava conducted my Latin American Symphonette in 1990, he told me he especially liked the second movement, a Tango, because he is "a tango expert." (Slava pronounces the word in the proper Latin way, "TAHN-go.") It begins with an upward sweep, and a formal tango rhythm. There is a sequence of varied and contrasting tango evocations; early on, after a strident Argentine-style episode, with its pronounced rhythm, there is a change to a languorous episode for four solo violins, in the old Mitteleuropa cafe style. The movement alternates between the languorous rhythmic "tango" character.

As centerpiece I've written a "Dirge," which opens with string harmonics evoking bells, followed by a solo for double bass. The bell-evocation recurs, and then all the basses take up the theme introduced by the solo bass. A measured "air," a slow cortege with a long lyrical line, proceeds against a "walking bass." This material grows in intensity and then dies away, followed by a contrapuntal passage, still elegiac but resolutely moving on. This procession is interrupted by little chorales, as if from afar, from another time and place. The final passages present a transformed version of the traditional Dies Irae.

The "Ballad" that follows is lyrical and romantic and song-like -- a love note.

"Strum" is the self-descriptive title of the final movement, a perpetual motion. Here the pizzicati are played not with each note cleanly plucked, but in a strumming way, rapidly across the strings. It starts very fast, with tremolo effects and lots of contrast, and takes off as a virtuoso and jubilant piece. Following a fugato played pianissimo at high speed, the piece accelerates to the end with a loud pizzicato snap.

-- Morton Gould

  • Ensemble
    Albany Symphony Orchestra
    Conductor
    David Alan Miller
    Albany TROY:
  • G. Schirmer / AMP:
Performances
Date
Title
  • 14 APR 2011
    Limerick, Ireland
    Irish Chamber Orchestra

    Other Dates:
    16 April - Dublin, Ireland
  • 05 APR 2011
    Perth Concert Hall, Perth, UK
    Scottish Ensemble

    Other Dates:
    6 April - The Queen's Hall, Edinburgh, UK
    7 April - Eden Court, Inverness, UK
    8 April - Marryat Hall, Dundee, UK
    9 April - Queen's Cross Church, Aberdeen, UK
    10 April - City Halls, Glasgow, UK
  • 15 OCT 2010
    France
    Orchestre da Auvergne
  • 15 OCT 2010
    Arpajon, France
    Orchestre d'Auvergne

    Other Dates:
    20 October - Le Puy en Velay, France
    22 October - Chamalieres, France
  • 14 OCT 2010
    Holland
    Magogo Kamerorkest
    Arjan Tien, conductor
  • 21 APR 2009
    Macau Cultural Centre, Macau
    Macau Orchestra
  • 21 APR 2009
    United Kingdom
    Macau Orchestra
  • 06 NOV 2005
    Cincinnati, OH
    Cincinnati Chamber Orchestra
    Mischa Santora, conductor

Reviews
A masterpiece....How much of Slava's personality is there in the score, one has to believe, is open to interpretation, but certain elements, such as the opening statement of the Prelude by the cellos must certainly be a tip of the hat to "the world's greatest cellist." The Tango movement, too, is a gift for Slava, who once composed a tango that he has been known to play on the piano if the time is right. The variety of moods, grace, charm, pathos, fun and excitement are all present in this welcome addition to the string orchestra repertoire, and while it is clearly a contemporary piece, it invites rather than dares repeated hearings.
Paul Teare, The Washington Post ,1/1/0001
Stringmusic by the late Morton Gould won him a Pulitzer Prize in 1995. It deserves to stand alongside the famous string serenades of Tchaikovsky and Dvorak, containing as much thematic interest and even more in the way of brilliant writing for the instruments. [Among] the work's multiple strengths and rich material [are] the witty "Tango," the almost Mahlerian "Ballad" and hard-driving "Strum." Stringmusic made the deepest impression [that] night. There wasn't a dull moment.
Tim Smith, Sun-Sentinel (Miami),1/1/0001
Close X

Newsletter Signup

Please fill in this form to receive regular news




Click here to receive regular news
© Copyright 2014 Music Sales Classical. Part of the Music Sales Group.