Repertoire Search

Morton Gould

Publisher: G. Schirmer

American Ballads, Settings of American Tunes for Orchestra (1976)
G Schirmer Inc
Sub Category
Large Orchestra
Year Composed
33 Minutes
Buy this work
Worldwide Sales   North American Sales

Programme Note
Morton Gould American Ballads, Settings of American Tunes for Orchestra (1976)
Composer Note:
American Ballads is the result of a Bicentennial Commission by the Queens Symphony Orchestra through grants from the New York State Council of the Arts and the U.S. Historical Society. It seemed logical to continue the paraphrases and instrumental comment on our musical heritage that shaped my career though the years. My “American Salute” is the most widely known example of this aspect of my writing. I purposely selected American “chestnuts” because of obvious immediacy and familiarity, and therefore a challenge to hopefully enhance them in orchestral transformation. However, there are also extra musical and personal reasons for the choice of materials and approach.

I was born and grew up in Queens, and in my early schooling the sound and image of “America The Beautiful” moved me, and still does. "The Star-Spangled Banner”, so difficult to sing, instrumentally has to me a kind of classical strength – perhaps all drinking songs (which this originally was) do. “Jubilo” is an extroverted freedom song from the Civil War period by a prolific and widely sung composer of that time, Henry C. Work. “Taps” has a strange, simple finality expressed through a few basic notes. “The Girl I Left Behind Me” is a jaunty type of marching tune from colonial times obviously derived from “The Old Country.” Among its uses was a satirical taunting of “Gentleman Johnny” Burgoyne on his defeat at Saratoga – hence the “Saratoga Quickstep”. “We shall Overcome” has its roots in gospel, but it has become a national hymn of hope and inspiration. Folk and popular expressions transcend national, regional, ethnic, and social origin; they voice the sound of people, and in that sense are universal.

The scoring is for conventional orchestra and was completed February 7, 1976. The individual movements are performable alone, and their order as a suite is interchangeable at the conductor’s discretion.

— Morton Gould

  • Ensemble
    Ukrainian National Symphony Orchestra
    Theodore Kuchar
Close X

Newsletter Signup

Enter your email address to keep up to date with the latest news and special offers from Music Sales Classical.
Your data is secure and you can unsubscribe at any time. Read our Privacy Policy

Click here to receive regular news
© Copyright 2019 Music Sales Classical. Part of the Music Sales Group.