Repertoire Search

Tan Dun

Publisher: G. Schirmer

Orchestral Theatre (1990),
Publisher
G Schirmer Inc
Category
Orchestra
Sub Category
Large Orchestra
Year Composed
1990
Duration
19 Minutes
Availability
Unavailable Explain this...
Programme Note
Tan Dun Orchestral Theatre (1990),

"How, or if, a classical orchestra could sound not classical? Could it convey the sense of another culture, a ritual of instruments and vocalization? Could this, which is common in Chinese theater and folk celebration, be done with a western orchestra? What would primitive sounds be like with western harmony? Why must harp be only harp, and koto only koto, forever separate?"

These are the questions composer Tan Dun addressed as he began writing Orchestral Theatre "O" (pronounced "oh"), the first piece in what would become his multimedia Orchestral Theatre tetralogy (1990-1999). According to the composer, the "O" in the work's title stands for "origin" or "original": it is an ur piece, that which was before all else, as well as one which keeps returning. By adding music for xun soloists, Tan later developed the work into his Orchestral Theatre I: Xun (1990).

Various dramatic sounds color the ritual-like Orchestral Theatre "O" -- yelling, chanting, murmuring, striking, and singing, produced both instrumentally and with the orchestra members' voices; vocalized syllables belong to no specific language and have no real meaning, but are intended as pure sound. It follows the structure of Chinese theater, in which opening free beats become a rhythmic sequence, suddenly interrupted by an orchestral murmuring; this cycle plays back and forth between instruments and voice. The orchestration treats instruments in atypical ways, often borrowing from Chinese music. (For example, strings are sometimes played as percussion, the harp is played like the "zheng," an ancestor of the koto, and the piccolo like a bamboo flute.) The piece has no story-line or theme, but unlike a totally abstract musical work, expresses strong dramatic and emotional images. Tan Dun recalls: "As I wrote this piece in New York, a lot of things were running through my mind: the faces of Peking opera actresses, sacrifice, human noise in Tien An Men Square - all these images appeared to me as hallucination, jumbled together on a huge stage."

© 1990; rev. 2002 Parnassus

Performances
Date
Title
  • 08 SEP 2013
    Hamburg, Germany
    Hamburger Symphoniker
    Tan Dun, conductor
  • 13 APR 2012
    Berlin, Germany
    Konzerthausorchester Berlin
    Lü Jia, conductor

    Other Dates:
    14 April - Berlin, Germany
  • 04 JUN 2011
    Leipzig, Germany
    MDR Radio Symphony Orchestra
    Lan Shui, conductor
  • 04 JUN 2011
    Germany
    Mitteldutscher Rundfunk (MDR) Sinfonieorchester
    Lan Shui, conductor
  • 23 JUL 2009
    Winston-Salem, NC
    Governor's School of North Carolina
    Randolph Foy, conductor
  • 18 APR 2009
    Germany
    Hamburger Symphoniker
    Muhai Tang, conductor
  • 13 JAN 2009
    Montréal, QC, Canada
    Orchestre Symphonique de Montréal
    Kent Nagano, conductor

    Other Dates:
    14 January - Montréal, QC, Canada
  • 12 SEP 2008
    Arc et Senans, France
    Orchestre de Lyon

Close X

Newsletter Signup

Please fill in this form to receive regular news




Click here to receive regular news
© Copyright 2014 Music Sales Classical. Part of the Music Sales Group.