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Novello & Co
Photo © Christian Steiner
Rich and powerful musical language and a strong sense of drama have made Scottish-American composer Thea Musgrave one of the most respected and exciting contemporary composers in the Western world. Her works are performed in major concert halls, festivals, and radio stations on both sides of the Atlantic.
In culmination/honor of her distinguished and varied catalogue and career over 60 years, the BBC presented
Total Immersion: Thea Musgrave
with three concerts of her chamber, choral, and symphonic works performed and recorded at the Barbican in a single day -- February 15, 2014.
Known for the clarity of her invention, the skill of her orchestrations, and the power of her musical communication, Musgrave has consistently explored new means of projecting essentially dramatic situations in her music, frequently altering and extending the conventional boundaries of instrumental performance by physicalizing their musical and dramatic impact: both without programmatic content (such as the Clarinet Concerto, the Horn Concerto, the Viola Concerto, and
), and others with specific programmatic ideas (such as the paintings in
, the poems in
Ring Out Wild Bells
Journey through a Japanese Landscape
, and the famous Greek legends in
Voices from the Ancient World
); -- all extensions of concerto principles. In some of these, to enhance the dramatic effect, the sonic possibilities of spatial acoustics have been incorporated: in the Clarinet Concerto the soloist moves around the different sections of the orchestra, and in the Horn Concerto the orchestral horns are stationed around the concert hall. Thus the players are not only the conversants in an abstract musical dialogue, but also very much the living (and frequently peripatetic) embodiment of its dramatis personae.
Her 10 large-scale and several chamber operas of the past 40 years beginning with
The Voice of Ariadne
(1972) and followed by
Mary, Queen of Scots
A Christmas Carol
Harriet, the Woman Called Moses
(1992) are in every sense the true successors to these instrumental concertos.