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Outi Tarkiainen

Born: 1985

Nationality: Finnish

Publisher: Edition Wilhelm Hansen

Photo © Saara Salmi


Outi Tarkiainen is one of a new generation of composers whose work bears intense witness to the world around it and whose music engages audiences while advancing the art form without compromise. ‘I see music as a force of nature’, Outi has said, ‘that can flood over a person and even change entire destinies.’

Outi was born in Rovaniemi in Finnish Lapland, a place that has proved a constant source of inspiration for her. She studied composition at the Sibelius Academy in Helsinki with Eero Hämeenniemi and Veli-Matti Puumala, at the University of Miami with Ron Miller and at the Guildhall School of Music and Drama in London with Malcolm Singer.

Since her student days, Outi has been drawn to the expressive power and natural truths of the human voice. After making her name as a composer-conductor with some of Europe’s leading jazz orchestras, Outi collaborated with the Finnish vocalist Aili Ikonen on a series of jazz orchestra works including Into the Woodland Silence (2013), a score that uncannily combined the composer’s sense of natural mysticism with the distinctive textures of the jazz orchestra tradition, and was recorded for Fredriksson Music. More recently, her saxophone concerto Saivo (2016), written for the saxophonist Jukka Perko, explores ideas of duality and illusion – in both the saxophone and in concerto form itself.

Outi has composed vocal, chamber and solo instrumental works as well as works for orchestra and soloist. In September 2016, the Lapland Chamber Orchestra, conductor John Storgårds and mezzo Virpi Räisänen gave the first performance of her biggest work to date, an orchestral song cycle to texts by Sami poets entitled The Earth, Spring’s Daughter (2015). The work’s structural finesse underlined the composer’s handling of large-scale forms while its pained lyricism revealed both her strong feelings about Sami emancipation and her love for the music of Alban Berg.

Outi has worked with ensembles including the Norrbotten Chamber Orchestra, the Lapland Chamber Orchestra, the Arctic Philharmonic, the Ostrobothnian Chamber Orchestra, Tapiola Sinfonietta, the Uusinta Ensemble, the Zagros Ensemble, the Moscow Contemporary Music Ensemble, the Henry Mancini Institute Chamber Orchestra, the Slovenian Radio Big Band, the Norrbotten Big Band, the Umo Jazz Orchestra and the Metropole Orchestra. She won First Prize in the International Jazzverk Big Band Composition Competition in Sweden in 2008 with her piece Oglütz.

Outi has also worked with some of the most distinguished conductors and musicians in the Nordic region and beyond. She has collaborated with jazz legends David Liebman, Randy Brecker, Conrad Herwig, Peter Erskine and Dick Oatts. Her music has been heard in cities from Tallinn to Tokyo. In 2015 Outi was composer-in-residence at the Festival de Musique Classique d’Uzerche in France.

Outi’s heart, however, remains in the north. ‘I have a fundamental longing for the northernmost regions within me’, she has said. That longing is partly satisfied by her co-artistic directorship of the annual Silence Festival in Lapland. But perhaps even more, it finds expression in her music’s increasingly fascinating mix of beauty and brutality, of richness and sparseness.

Andrew Mellor, 2016
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