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Judith Weir

Born: 1954

Nationality: British

Publisher: Chester Music

Photo © Chris Christodoulou


Judith Weir was born into a Scottish family in 1954, but grew up near London. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and had a few composition lessons with John Tavener during her schooldays. She attended Cambridge University, where her composition teacher was Robin Holloway; and in 1975 went to summer school in Tanglewood, where she studied with Gunther Schuller. After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and RSAMD.

During this time she began to write a series of operas (including King Harald’s Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have subsequently received many performances in the UK, Germany, Austria, the Netherlands, Belgium and the USA. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal Opera House Covent Garden in 2012.

As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including Forest, Storm and We are Shadows) which were premiered by the orchestra’s then principal conductor, Simon Rattle. She has been commissioned by the Boston Symphony Orchestra (Music Untangled and Natural History) the Minnesota Orchestra (The Welcome Arrival of Rain) and the London Sinfonietta (Tiger under the Table); and has written concert works for some notable singers, including Jane Manning, Dawn Upshaw, Jessye Norman and Alice Coote.

She now lives in London, where she has been artistic director of Spitalfields Festival; and in recent years has taught as a visiting professor at Princeton, Harvard and Cardiff universities. Honours for her work include the Critics’ Circle, South Bank Show and Elise L Stoeger awards, a CBE and the Queen’s Medal for Music.

Premieres during 2013 include Blue-Green Hill (Boston Musica Viva) I give you the end of a golden string (Aldeburgh) Tamino’s New Flute (Bregenz) The Wild Reeds (Thomas Trotter/Birmingham Town Hall) and The Song Sung True (London Lawyers’Chorus). Coming up in 2014 are new productions of The Black Spider and The Vanishing Bridegroom in Germany and the USA, a Weir festival at New England Conservatory in Boston, and a new work for Alice Coote and the Aurora Orchestra.
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